Hindustani classical music is one of the oldest and richest forms of music in the world. It has a complex and sophisticated system of ragas (melodic modes), talas (rhythmic cycles) and improvisation. Hindustani classical music has influenced many genres of music, including rock and metal.
Rock and metal music are genres that emerged in the 20th century, characterized by electric guitars, drums, bass and vocals. They often use distortion, heavy riffs, power chords and solos. Rock and metal music have also been influenced by various styles of music, including blues, jazz, folk and classical.
One of the pioneers of fusing Hindustani classical music with rock and metal music was Ravi Shankar, a legendary sitar player and composer. He collaborated with many Western musicians, such as The Beatles, The Rolling Stones, George Harrison and John Coltrane. He introduced the sitar, the drone, the raga and the tala to Western audiences and inspired many rock and metal artists to experiment with Indian sounds and scales.
But how exactly can Hindustani classical music be related to Western rock and metal? One way is through the use of scales and modes. Hindustani music has a wide range of scales, or ragas, that can evoke different moods and emotions. These scales can be adapted for Western instruments, such as guitar or keyboard, and used to create new melodies and harmonies. For example, the pentatonic scale used in blues and rock music can be traced back to the Indian raga Bhimpalasi.
Another way is through the use of rhythm. Hindustani music has a complex system of rhythmic cycles, or talas, that can be adapted to fit into rock and metal music. Talas can add a distinctive groove and feel to the music, and can be used for improvisation and soloing.
Finally, the use of Indian instruments such as sitar, tabla or sarod can add a unique flavor to rock and metal music. These instruments can be used for soloing, accompaniment or simply as a texture in the music.
In conclusion, Hindustani classical music and Western rock/metal music may seem like two very different genres, but they actually have a lot in common. The fusion of these two styles has led to some incredible music, and has opened the door to new creative possibilities for musicians around the world. So next time you listen to your favorite rock or metal band, remember that there may be a little bit of Hindustani classical music in there too.
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Some examples of rock and metal songs that incorporate elements of Hindustani classical music are:
- Norwegian Wood by The Beatles: This song features George Harrison playing the sitar in a raga-like melody.
- Paint It Black by The Rolling Stones: This song uses a sitar riff and a drone in the background.
- Kashmir by Led Zeppelin: This song uses a modal scale similar to a raga and a rhythmic pattern inspired by a tala.
- Shakti by John McLaughlin: This song is a fusion of jazz-rock and Hindustani classical music, featuring McLaughlin on guitar, Zakir Hussain on tabla, L. Shankar on violin and Vikku Vinayakram on ghatam.
- Om by John Coltrane: This song is a free jazz improvisation based on a chant from the Hindu scripture Bhagavad Gita, featuring Coltrane on saxophone, Pharoah Sanders on saxophone and flute, Alice Coltrane on piano and harp, Joe Brazil on flute, Donald Garrett on bass clarinet and bass, Jimmy Garrison on bass, Rashied Ali on drums and percussion and Ray Appleton on percussion.
- Darbari Blues by Naad: This song is a fusion of Hindustani classical vocals with eclectic world flavours, featuring Sanjeevani Bhelande on vocals, Middle Eastern percussion, ambient bass grooves and Spanish guitars.
Hindustani classical music and rock and metal music may seem very different at first glance, but they share some common elements, such as:
– The use of improvisation: Both genres rely heavily on spontaneous creativity and expression.
– The use of emotion: Both genres convey various moods and feelings through music.
– The use of contrast: Both genres use dynamics, tempo changes, modulation and variation to create tension and release.
Dennis Taraporewala 